Editing and Film Graphic Organizer
For this group assignment, we had to describe a list of vocabulary words and provide the effects that they create within the film. We each had a list of vocabulary words that we had to define. For this assignment, I had to define the following: Editor, spatial editing,180-degree rule, graphic match, parallel editing, I-cut, Wipe, slow motion, and visual effects.
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Cristina Mayfield |
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Editor: Someone who assembles
all raw footage and inputs uncut rushes of sound with an outline of footage
and/or a shot list, script, or screenplay. -Makes
revisions as per the request of the Director. -Trimming segments of footage. -Reads the scripts to understand the vision of the
Director. |
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spatial editing: Spatial editing is when the
relations between shots function to construct film space. -helps the audience
understand where they are |
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180-degree rule- A
basic guideline regarding the on-screen spatial relationship between a
character and another character or object within a scene. -the flow of the camera between
characters as they speak makes the conversation seem real Controls the scene |
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graphic match- Graphic matches, or match cuts, are useful
in relating two otherwise disconnected scenes, or in helping to establish a
relationship between two scenes. -Connection is drawn between the two shots -Creates a smooth transition -Establishes a strong continuity of action
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parallel editing: Technique used to portray multiple lines of
action, occurring in different places, simultaneously. -Adds suspense within the scene
- Allows the viewer to practically experience both sides of
the event first-hand. -Can narrate a line of action with another line of action . |
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l cut- An I
cut (sometimes called an invisible cut) marries two scenes together with two
similar frames. -nearly
unnoticeable cut -makes the production feel as though it’s
one long take - -Creates a smooth
transition |
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Wipe: A
type of film transition where one shot replaces another by traveling from
one side of the frame to another or with a special shape. -used between different
storylines or locations. -used
to establish that the story is jumping to a different plotline -
works as a visual cue to the audience that the story is moving along,
emulating a curtain falling after a scene in a play slow |
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slow motion- an
effect in film-making whereby time appears to be slowed down. add
deeper, emotional intensity to a scene or sequence.
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creates drama on a larger scale, and achieves a deeper impact.
-helps to tell the whole story of a battle
while also communicating the feel of the fight. |
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visual effects- A
term used to describe imagery created, manipulated, or
enhanced for any film, or other moving media that doesn't take place during
live-action shooting. -integration between actual footage and
this manipulated imagery to create realistic-looking environments for the
context.
- use tools that help in all capacities of blending the line
between "real" and "unreal."
- to make something fake look real |
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